Meet the Writer, Photographer and Journalist in Brad Zellar “You will see things that no one ever looks at or sees closely . . . ” In Catch and Release: My Photographic Journey, writer, photographer and journalist Brad Zellar writes about

At the start, when I first discovered Erik Madigan Heck photography, I knew I’d found photography I had never experienced before. Like reading Dostoevsky for the first time, or first hearing Thelonious Monk, or seeing any of Bergman’s films, I knew

“The image-world that bids to outlast us all . . .” Over the past twenty years, Ginevra Archimboldi has produced six remarkable photo books: Women (1994), Portraits (1995), Color (2002), Graffiti and Still Life (2005), Loves (2013), and Images in

She was short, not much taller than five feet, strong-willed, and always ready to fight. She had brown eyes, Mexican through and through, yet she had red hair and the whitest of white skin — vitiligo — though never failed

On the field, photojournalist Lucio Villa never takes his eyes off what’s happening around him. If anything needs changing, his hands already know where to go. He’s learned every button, every setting, every little change that could possibly come from

Epiphanies never come quietly. Like a thunderclap, they emerge only after breaking some barriers. Always hidden and at all times awake, these moments arise from some automatic recalibration of your inner ordering. You could even say that it’s only during

With a name like Eric Ray Davidson, it’s easy to imagine big-time fame, high-stakes confidence, and fast-living would follow you since birth. It reads like one of those 1950s Hollywood stage names that just resonates with a mnemonic stick-in-your-head traction.

How do you introduce yourself to strangers? Do you, like celebrity photographer Maarten de Boer, admit that you enjoy eating popcorn with chopsticks? Or that you love bacon and black pudding? And if you have a beard, do you say

Although it’s obvious after several thousand photographs, when you first start shooting it’s difficult to see where your deep-rooted fascinations, those irreducible attractions you’ve had since you were young, are taking you. Yet soon, as every shot builds on another,

Street photography is one of those things that cut into you. It has a razor-sharp bite that can’t be shrugged away. If you shoot it, you’re bound to commit full-heartedly to it. Maybe because of this, it’s also a genre