Not everyday you have the chance to meet one who has been a director of Photography at popular magazines like Life and Vibe. My luck has been jammy with meeting prodigious photographers like George Pitts. I was in awe of

We all have ideals. I had a friend, in high school, whose sole dream was to be a punk—or be nothing at all. I also had a friend who dreamed of being a writer—and nothing else. And there were a

It’s almost a guarantee, a universal fact of life. If you have a family, you also have, somewhere deep in your pocket of history, a family portrait that looks just like every single one that has ever been made. If you’ve seen one family

Chunky jewelry, impish smile and a camera in hand – Joana Choumali has the face of a saint, with eyes that twinkle. I wish this interview would have taken place in Africa’s sleekest cities, Abidjan from where she belongs, but

It’s called 128 Beats Per Minute: Diplo’s Visual Guide to Music, Culture, and Everything In Between (Universe, 2012) and it was Los Angeles photographer Shane McCauley’s first major project with Diplo. Since 128 BPM, McCauley has gone on to shoot with nearly everybody:

Jeff Boudreau lives and works in London. He has worked with Vans, Tank, Aksu, and DROP magazine, among many others. In 2013, he shot and directed a video for Vogue, and, this past year, he was shortlisted for the APA

Some notes before the interview. This conversation took place via email between an office and an apartment in Los Angeles. I wrote the questions toward the end of the night of September 23rd. Near morning. But early or late enough to be considered neither morning

Audrey Guiraud – A living inspiration.  I know very little. One thing I know: you could live your life seeing only what’s necessary. Either you’ve lived seeing the same things over and over or you haven’t. I’m afraid that when I go all