The interview that follows has been edited for readability. The editing has been limited to concerns of form. Mark Alor Powell’s one of great street photographers answers and my questions have in no way been abridged. The opposite is true, in

A candid moment with Andrea Margaret on her thoughts There are three people in the above photograph, and it would also be true to say that there are none. What starts as a familiar scene—a young beautiful woman staring into

Insight into the works of Charlotte Colbert The physical boundaries of a photograph are clear: without edges, a photograph would expand forever until light washed out all else. The frame bordering a photograph, the limits of its scope, both bounds

Experience the streets of New York with Andre Wagner A city can be hard to love. At times it may even seem maddeningly distant. As the sights go by, some streets will melt into others, as faces do in a crowd.

“A prisoner exchange, outskirts of Istanbul”—reads one photo’s caption. “A man approaches a murder scene,” says another. “Murder of the mistress.” If you suspect that these captions seem inspired by the plots of a crime novel or a soap opera, you’re

How much of your life has already been forgotten? Which moments would you have remembered instead? Questions of this sort, ones about memory, sparked the Ecuadorian memory photography expert Karen Miranda Rivadeneira to start Other Stories, a project that pulls

Of all Santiago Forero’s playfully mischievous photographs, only one can be said to have gone viral, having appeared, in 2013, on a much-shared Buzzfeed article that grouped together classic works of Western art re-imagined to include people of color. Santiago Forero’s contribution was

At the heart of every photograph is a dilemma of conscience. From the very first to the last, each artistic choice that you make is another step farther from what’s in front of the camera and one step closer to you. Imagine

Each year, according to the I.L.O., nearly 21 million women, men, and children are trapped into an economy of forced labor. These victims of coercion — whether facing overt physical threats or subtle manipulations of illiteracy and debt — provide

Cinematic Portrait Photography with Emine Gozde Sevim Emine Gozde Sevim is one of eleven photographers who were awarded this year’s Emergency Fund from Magnum. Given to projects that Magnum considers in need of critical attention and support, the grant helps