In today’s day & age where everything is superficial & express, to go back in time to find the roots is something which barely a few people do. In a time where being old school is being old fashioned & uncool, Dan Hecho with his creations has set a new benchmark for creativity! As he mentioned in the interview, he draws his inspiration from The Renaissance paintings & rightly so, his work is a reflection of exactly that!

We are fortunate to market one of the hot-selling workshops by Dan Hecho on our platform, & have received an overwhelming response for the same!

Here is an interview with the man himself!

1. What drove you towards photography & specifically nude photography?

Ans.: For me, photography is a reflection of the inner world of a person. In the world of forms, the most perfect and beautiful is the form of the female body, in fact it is an expression of beauty as itself. My goal is to show and bring beauty to our world.

2. Is there anyone in the photography business you look up to?

Ans.: My inspiration is Renaissance painting, not photography.

3. What is your ideal process of starting with a nude photoshoot?

Ans.: For me, photography is always pure creativity and no preparation. I need a model, natural light, and a camera.

4. Was there any particular photoshoot memory you’d want to share?

Ans.: All my shootings are an amazing process of creativity and I love each of them.

5. How do you select your models? Is there any particular model you love to work with? If yes, why?

Ans.: I prefer slender models in which the structure of bones is well-read, it is more graphic and interesting to me. I like models that can live emotions in the frame, and not just pose.

6. If not nude photography, then what would be your second choice in photography genres?

Ans.: I like to shoot ballet as well

7. How did teaching happen to you? Or was it always a part of the plan?

Ans.: Photographers seeing my work asked to share secrets and I began to teach.

8. Do you aspire to relocate to other parts of the world, to showcase your art? Or will you be true to Ukraine forever?

Ans.: I traveled to more than 30 countries with my masterclasses, I want to do it further. Art has no boundaries.

9. You have trained thousands of students to carve their niche in nude photography. What would you like to say to the other thousands who aspire to learn from you?
Ans.: Learn to be yourself, listen to your inner world and reflect it in your work.

You can check out the personal artwork of Dan Hecho on this link, & for some smashing nude presets you can click here.

Andy Armstrong, not just a photographer but a true artist behind the lens. We were fortunate to get a chance to peek into the life of this creator and understand his process of conceptualizing, feeling, understanding and executing his masterpieces. A humble creator, Andy Armstrong speaks about the inspiration he draws from his family. Giving his wife the credit where it is due! The artist further speaks of portraiture from a perspective none would have imagined. He also talks about his best works,( or the work that moved him) so far showing his connect and passion towards every still that he captures. Speaking about his favorite muse “Swaggs” he finished his interview on a rather inspirational note creating a mark in the minds of thousands that look up to him for inspiration. Here is the whole interview with Andy Armstrong.

• Was photography always a passion and a career option for you even as a kid?

No, but art always was. From a time I can remember, I’ve always loved drawing. In fact, I was a graphic designer and artist long before I picked up a camera. Decent, affordable digital cameras hit the market when I was running a web design business, so I picked one up and fell in love. Here’s the thing. As an artist, it’s next to impossible to truly convey an idea to an audience. The idea in your head is almost always better than what your hand puts on the paper or canvas. What I found with digital photography was that I could finally convey that idea. I could finally show people what was in my head – more so than I could in a drawing.  Couple photography with what I was doing with digital design, and there was just no turning back. It was more gratifying for me than any other medium I’d ever used.   

• You come from a different school of thought than a traditional portrait photographer. What made you think of portraiture in this way?

For me, it was about boiling what a portrait was down to its essence. We all grew up getting school photos and sitting at Olan Mills, but what IS a portrait really? Is that it? I don’t think so at all. 

I don’t believe that every subject needs to stare at the camera with a big smile. I don’t believe that multiple subjects have to be balanced in triangle formation, and I don’t believe that everyone needs to wear perfectly coordinated outfits. In fact, I believe that there is only one “have to” in making portrait images: The portrait must convey a sense of the subject’s real personality and humanity. That’s all. 

I just believe that if I can capture who you truly are at this moment in time, then I’ve done my job. On the other hand, if I’m just throwing your butt in a seat and asking you for a big smile, then the result may capture your appearance, it doesn’t say anything about who you are. 

• Many photoshoots that you have done are in or around water bodies. Is that intentional or a coincidence? If intentional then why?

I love shooting sunrises. I like shooting people at sunrise, and in particular I like to shoot strobe against the sun to get the richness of color of that sunrise. I live in a part of the country with some amazing lakes, and I found that if I shot those sunrises in the water, I could completely envelope the subject in the richness of that color.  So, I’m not sure that it’s about the water per se. It’s more about how can I show as much of this beauty as possible in one shot. The water lets me do that. 

• Who has been that person in your life who inspired you to pursue photography?

In June of this year, I will have been married for 24 years. My wife has always been my biggest support of everything I’ve done since we met, but she’s been extraordinary when it comes to my photography. In fact, I’m always on the lookout for new models, and my wife will be the first to spot someone new and hand them my card.

On the flip side of that, I’m rarely inspired by other photographers. Don’t get me wrong, I think there are truly extraordinary photographers out there, and I love to see their work, but I try so very hard not to fall in love with any single person’s work. I don’t want to be influenced too much by the style they’ve crafted. I

want my work to be my own. So, when it comes to inspiration, I normally turn to music and film to inspire my photography.

For example, the films of director Tony Scott have inspired me many times to get gritty and be creative. To step outside of my normal bounds and try something new.  

• Can you pinpoint one shoot which was your best experience so far? and why?

There are two shoots that were pivotal for me. First was a shoot I did with a model in Orlando. Our simple shower concept and my digital tweaking yielded a domestic violence image called “He promised he would change.”  That image won WPPI’s Commercial Image of the Year in 2010. 

The second shoot was very straightforward. I was hired to shoot the notorious moonshiner, Popcorn Sutton for a company that was using his recipe to create legal moonshine. In 2007, the ATF had arrested Sutton after discovering 850 gallons of moonshine stored on his property. He was convicted on federal charges in 2008  and scheduled to start serving his time in Federal prison the Friday after I photographed him, so this was the new company’s last chance to get images for commercial use. Here’s the thing. Popcorn never reported to Federal Prison. He took his own life the day after our shoot. I was shocked to say the least, but those images are harrowing. You can see the trouble in his eyes.

• You have done a series of shoots with Savannah Swaggerty. What is it that makes her the ideal muse for your shoots?

She’s beautiful, crazy, fun, and she listens and learns. She’s become a good friend of mine, and I love the images we create. I think it’s always good for artists to have a muse – someone that is always willing to shoot. Someone who you can “create” with – Swaggs is that for me and has been for a while now. 

• You have won many awards from paramount organizations, which award to date has been the most valuable for you?

Commercial Image of the Year from WPPI for sure. First, it’s a prestigious award that I got to accept on stage in person at the annual convention in Las Vegas. But more than that, it falls into my category of choice. I love editorial and illustrative work – and somehow the award means more to me, because it does fall into what I consider a very “artistic” category. 

• What’s your family’s take on your awesome captures?

My wife and daughter have always been super supportive of me. My daughter is 22 now. She’s a better artist than I am honestly, but she grew up in front of my camera and watching me create. 

• What would you want to advise the budding photographers that look up to you?

Realize that there are many aspects to photography – especially portrait photography and you need to learn and constantly work at all of them. 

First and foremost, learn your camera – how it works, how it functions, the nuts and bolts, the science of the tool itself. Truly master it, because without that knowledge, your photography will always suffer. 

Second, and almost as important if you’re working with people, learn how to communicate and direct. Learn interpersonal skills. Learn how to make people feel comfortable quickly. Learn how to express ideas clearly and concisely. While there are some amazing photography tips in my book, this is largely the bulk of what’s there. Without truly good interpersonal skills, you will never be able to create portraits that go beyond appearance. It’s the interpersonal skills that allow you to get the most out of people. 

Third, learn about art and composition. Learn the rules first, and then learn how to break them. Studying light and the how and the why of art will help you with your photography.

And finally, the only other thing I’d say to budding photographers is this. Don’t make this a job until you have to. Learn everything you can before you do and get really good at it before you hang out your shingle.

You can check out the work of Andy Armstrong on his website.

Finding beauty and life in places where the world has lost its hope is what makes Emma O’Brien stand out of the crowd. Her journey from capturing as a hobby, to capturing wedding photographs and now being a celebrated animal & human portrait photographer is truly one to vouch for. Emma O’Brien with her great skill, humility, hard work, consistency and never die attitude has carved a niche for herself in the photography industry. We are glad to have had a chance to discuss with Emma O’Brien her journey and her experience of having a series of captures go viral.

1. Did you always aspire to be a photographer, even as a kid? What made you take it up as a profession?

I’ve always appreciated and enjoyed photography. My Dad is a keen photographer, in fact, I commandeered his Nikon D1 when I started my business back in 2004, and my Grandad was also passionate about creating images, but it wasn’t until I was 22 that I decided to pursue it as a full-time career. I was very inspired by the work of W Eugene Smith, I felt very drawn to the way he used his photographs to tell stories and make people aware of events that would otherwise have remained unknown. His work gave me an insight into the impact that photography can have and how it can be used to make a positive difference in the world. So when I decided to become a photographer my initial intention was to somehow make a living out of shooting documentary work, however, I had a small child to take care of and I needed to earn money, so I focussed on wedding photography. It took me another six years to be able to start using my work to make a difference.

2. What brought you to South Africa from the UK?

I moved to South Africa in 2009 with a man I was in a relationship with at the time. I’d not long been divorced and it was an opportunity for a new start and some far better weather!

3. Is there a specific reason why you have chosen animals (dogs) and human portraiture as a niche?

It was never my intention to become a dog photographer, it happened by accident. When I moved to SA, I decided to stop photographing weddings, I’d lost the love and passion for them, so I made the decision to concentrate on portraiture. In February 2011 I went to my local SPCA (Society for the Prevention of Cruelty to Animals) and adopted a Dachshund called Jeremy. Whilst I was there, I volunteered to help them with fundraising by photographing a calendar and as I was working with cats and dogs for the project, I discovered I had a talent for shooting pet portraits and the rest, as they say, is history. 

4. Name a brand you have always aspired to work with as a photographer.

I would love to shoot a campaign for Louis Vuitton, they have a very luxurious range of dog accessories!

5. Which is your greatest achievement among all your awards?

Awards are great, however, I’d say the greatest achievement for me has been the massive media coverage received as a result of The BLACK SERIES. This is a series featuring adopted black rescue dogs that I created to highlight the worldwide issue of black dog syndrome (black dogs who end up at shelters are the least likely to be adopted and the most likely to be put to sleep). I shared the portraits onto the Bored Panda website in May last year and it very quickly went viral. I had so many messages from people who, until they’d seen my work, hadn’t been aware of black dog syndrome and also from people pledging to make sure the next dog they got would be from a shelter. My goal of creating work that could make a positive impact in the world came to fruition with The BLACK SERIES.

6. What do you like to do the most? Training, writing a book or photography?

I like taking photographs the most, it will always be my first love.

7. When did you decide you needed to capture the stray?

After I adopted Jeremy from the SPCA, I became very aware of the numbers of unwanted dogs sitting in shelters and I wanted to do something to help them find homes. Great portrait photographs of shelter dogs help to speed up the adoption process, the images get shared online and the dogs find homes much quicker than they would have done with basic cellphone pictures. 

8. Do you work for an NGO or organization, if not would you want to?

I still photograph the annual SPCA calendar that I started in 2011 and it’s a project that’s raised over $50,000 to date. There are also a couple of dog shelters that I regularly visit to photograph the dogs that are looking for homes. NGO work is very important to me, I like to do what I can to help.

9. Being a photographer what will be your advice for others trying to make a name in your industry.

Keep making new work, collaborate with people (this does require being brave and reaching out to new organizations and businesses) and be persistent. Making consistently good and authentic work will always pay off, but it is a process and success doesn’t happen overnight.

Show some love to Emma O’Brien for being organic in her responses, and striving to make a difference.

You can find the work of Emma O’Brien here on her website.

A self-made Photographer who has built a legacy from scratch, Chris Burkard is someone who took the leap at 19 when he realized his love for photography. Going against all odds and making his mark in the industry Chris Burkard mentions hard work, persistence, and passion as the 3 driving forces that helped him in his journey and also encourages other budding photographers to create their own style and strive to perfect it.

In this interview, Chris Burkard speaks about his life, journey in photography, his style and his love for the outdoors and the environment. Chris Burkard also mentions how Chris Burkard uses and plans to use his social standing to do good for the environment and make a difference.

To know more about the artist himself. Read, PhotoWhoa interviewing Chris Burkard!

1. Having a strong inclination towards nature you love to capture landscape, adventure, outdoor and a lot more. Which type among these can you pinpoint as your favorite?

I would say the outdoors in general. My goal is to inspire others to get outdoors and seek out rugged places. I hope to push people to seek out the unknown and allow a bit more uncertainty in their lives as this is how you grow the most and ultimately develop a closer relationship with nature. Everything listed above is similar but my ultimate goal is to push people towards the outdoors in whatever way that might be for each individual.

2. It takes efforts to maintain a social media presence while also running your own business. How do you prioritize investing time? Do you have dedicated people looking after your social presence?

Social Media has created a platform where I’m able to have an extensive body of work that acts as a living portfolio. Companies consistently contact me after having viewed my account with partnering offers due to my high level of engagement. It’s one thing to have a million followers, it’s another when a significant percentage of those followers actually engage with the content you are posting. Often times companies or brands will reach out with a proposal to collaborate on a social post in some way, and it’s not uncommon for the same companies and brands to hire me on for a full-fledged project or campaign. Throughout the years some of my biggest and best jobs have come through my social media channels. I couldn’t be more grateful for the awesome opportunities I have been awarded through my social platform

But over the monetary aspect of social media, it’s a way to show MY favorite work. When you’re shooting for an editorial feature or a commercial client it’s not always your visions that getting out into the world. It’s a client’s or an editor’s. Social media is a direct way of putting your personal favorite work out into the world and telling the story that most accurately how you as a person and brand want to be perceived. I choose to run all my social media as I feel like engaging with all the people who follow and support me is a special part of my job.

3. A philanthropist at heart where do you see this world heading considering the radical climate changes? How do you think can everyone contribute to stopping it?

This is a question and idea that keeps me up at night. I do think we’re at a point where we’re going to see some major changes take effect, things that can’t be reversed which saddens me. I think sometimes people feel as though they need to make some major changes to make a difference, and I like to remind people that any positive behavior is a step in the right direction. Whether it be eliminating single-use plastics, picking up trash on the trail, or riding your bike to work it ALL plays a part. Everyone and their situations are different but any little thing we can do is helpful.

4. Can photography play a key role in driving towards a sustainable earth? Any thoughts and ideas for the photographer out there?

I absolutely think photography can play a key role in driving towards a more sustainable Earth. People respond to visuals, whether they’re positive or negative. I strive to show the beauty of places around the world but also promote that they are only going to remain beautiful if we make sustainability a priority in our lives. I think showing people the beauty of places around the world will make them care more about living a sustainable life and protecting the planet. I also think photos that highlight the damage that is being done will be a powerful mechanism moving forward.

5. Which is your favorite photography gear which you can’t leave the house without?

I shoot with the Sony mirrorless systems. I have shot with Canon, Nikon, and Sony in the past 11 years and have settled on what I believe to be the best system available for lightweight travel and astrophotography. I typically use the Sony A7RIV for about 70% of my work. The Sony A7sii is what I shoot for my night and Astro images. This camera was built for sensitivity at High ISO. The A7RIV is my go-to for commercial work, the R stands for Resolution and provides unparalleled reproduction for large prints and clients needs. When I want to strip down and go super light I use the Sony a6500 as well as when shooting in the water. This camera is perfect for sports photography, hiking, climbing and anytime you need to be weight conscious. For post-processing, I always use Adobe Lightroom.

6. Are there any specific actions or presets you use as your go-to quick fixes?

Nope! I don’t use photoshop and try to edit photos as minimal as possible, keeping them realistic and true to what the scene really looked like. Almost all my photos are solely edited in Lightroom with contrast, temperature, and the tone curve.

7. At the age of 33, you have written over 9 books and won over 20 prestigious awards. How did you prepare to be the person you are today? How young did you begin your journey?

At 19, I enjoyed photography but the idea of turning it into a career was overwhelming. I knew I had to give it 100% if I wanted to make it into something so without any formal training I quit my job (at a magazine store) and started shooting anything for anyone. I would go and shoot surfers at the local beach and try to sell them pictures on DVD’s… I shot weddings and senior pictures and interiors store photos. That obviously wasn’t my end goal but I had to start somewhere. I wanted to learn more about action sports and landscapes photography which is what I was excited about but didn’t know where to turn so I started applying for internships. I finally got an opportunity to intern with Michael Fatali, a large format landscape photographer, and I got an internship at Transworld Surf magazine which was an incredibly valuable experience. Through trial and error, I taught myself and began to develop a style. Hard work, persistence, and having a passion for what I do has taken me a long way. For the first part of my career, I slept in my car a lot, so nothing happens quickly. I would say it was about 4 years until I really started making an income. During my transworld internship, I commuted 5 + hours every week and lived in my car. I really look back fondly at those more challenging times because it makes you appreciate having to work for what you have and giving something of yourself for your career.

8. Are your kids influenced by your art and your ideologies or are they willing to be trailblazers in a different field just like you?

To be honest, they’re still pretty young to answer this. They definitely love the outdoors and to be outside exploring, as many kids do. I love to take them to the beach, hikes or camping trips and they’re starting to take interest in these things on their own. However, they’re young to be interested in photography or art. When people ask, I always tell them I’ll be happy with whatever they want to do, I just want them to develop their own passions. If they want to be trailblazers great, if they are inspired by photography, great, but I won’t push them in one direction!

9. Summing the interview, what would be your advice to the people who are beginning their careers in this field?

The best thing that you can do as an aspiring photographer is to identify a style that represents you well, develop within that style, and keep shooting to perfect it. It’s super important to have your images be recognizable by editors and others who are looking at your work. With a large number of photographers that are out there now you must find ways to stand out. The best compliment I can ever receive is when people know my photography work instantly when they see it. Diversification in your work is great, but it’s important to remember that often you are hired by a client or a magazine because you are a specialist at something. That is a good thing! It’s good to be known very distinctively for something and it’s a great way to get your name out there. Start with what you know and only put the work out there you are truly proud of and willing to show the world. Then work on the other aspects and over time they will be at the same quality. If you are great at one thing and mediocre at many others it often drags down the great work in your portfolio. I have spoken to many editors about this and it’s one of the things that I have heard over and over again.

A humble, passionate, distinct, and aware photographer, we loved to interview Chris Burkard.

You can check out the work of Chris Burkard on his website.

A creative and gifted visionary, Richard Bernabe has been among the very few photographers who not just capture beautiful pictures but are able to tell a story and share an experience with it! 

An artist at his core Richard Bernabe is the live example of a “master of all.” He makes the transition from Photography, to great writing, to exceptional orating and much more so effortless and smooth that it just feels like one whole great experience.

A profession developed and nurtured from his hunger to soak in as many experiences and capturing their nostalgic memories, finds it’s crux in just a simple term- as he puts it, “happiness!”

It’s easy to capture the world but difficult to empathetically strive to reduce the harm caused to it. Richard Bernabe has not just spoken but acted upon very strongly about his love for the planet and the flora and fauna on it!

Richard Bernabe, a name loved, respected and idolized by many is a person who loves his solace, and as he states further in the interview, “remote areas still intimidate me.” has carved a niche for himself in this ever-growing sector.

If you would like to know more about him, you can always visit his website here. In this interview, we had a chance to connect with Richard Bernabe via email and to ask him a few questions.

1. Being a multifaceted person, you are widely known for photography, traveling, educating, orating and writing. What among these brings you the utmost joy?

Well first, I want to thank you for the opportunity for me to answer questions for your readers as well as the very kind compliment. 

Photography and travel give me the greatest amount of pure joy, although the other things you mentioned all help make a fulfilling, creative life where no two days are ever the same. Creating images with my camera, preferably alone, in some far-flung corners of the planet, is wildly intoxicating. Freya Stark’s observation about the sensation of waking up alone in a strange city comes as close to capturing that feeling as anything else. Teaching is incredibly satisfying and rewarding – much more than I ever thought it could be – so I carve out some time in my schedule for classes and workshops. Talking in front of live audiences around the world is equal parts crippling fear and exhilaration. I like the walking-the-tightrope vibe it gives me. Writing, on the other hand – well, to paraphrase Hemingway here – is like sitting at the laptop and bleeding, except I’m pretty confident he said “typewriter” instead.

2. Your work with National Geographic exhibits your love for the environment. What has brought you to feel so strongly about these issues?

Tolstoy had a powerful line about “the first condition of human happiness is that the link between man and nature shall not be broken.” And there it is – at least for me. Nature and wild places make me happy and they are the creative inspiration behind my work – my muses if you will.

Wildlife conservation and the protection of endangered species is another passion of mine and I devote much of my time, energy, and finances toward helping preserve these animals for future generations. The statistics are grim, particularly those that show how precipitous the decline in wildlife populations has been over the past 50 years. It’s just heartbreaking. I could go on about the ignorance and greed of animal poaching and the arrogant, egotistical, vain, selfish, megalomaniacal, and psychotic “trophy” hunters, but I think I’ll stop right here.

3. Tell us about your journey from being a photographer to a global influencer and a highly sought- after teacher and orator? Did you always envision it, or did things happen for you?

I didn’t envision any of this, to be honest. For the past 15 to 20 years, I’ve simply focused on doing what I love and what I’m passionate about while letting all of what others might regard as “success” take care of itself. I believe, perhaps in some small way, that not focusing on the rewards of success was key for me. It allowed me to stay focused on doing happy things. Success can be measured in several different ways but isn’t doing what you truly love an important measure of success already? Maybe the most important? It’s certainly enough for me.

Being labeled as an influencer is a function of how many social media followers you have – another yardstick of “success” that doesn’t really concern me very much. I’m flattered, of course, that people do follow me and they enjoy my work but most of this influencer business is just a distraction.

4. From among the 10 books you have written, which for you has been one of the most challenging and which one did you love to work on?

My first book was released in 2006 and it was a coffee table book that featured photographs from my adopted home state of South Carolina titled South Carolina Wonder and Light. It’s now out of print, but there are some ancient copies floating somewhere around my office. You never quite forget your first, right? The first one is special. 

My most recent, Wildlife Photography: From First Principles to Professional Results involved producing 45,000 words of text, almost all of it completed during the summer of 2017 while traveling through Africa – writing whenever I had any downtime on planes, buses, cars – in tents, hotels. It was exhausting. The book was released last year, and my publisher tells me it’s been a commercial success, so thanks to all of you who bought a copy.

5. You being one of the most popular orators, influencers, and photography authors which is your favorite platform or medium to communicate with the masses on?

I like Twitter, even if it does represent both the best and worst the Internet has to offer. If you’re there to argue politics with other humans, it most certainly is a dystopian hellscape that will make your life a dark, dark place. Don’t do that, ok? But even if you’re not a content creator, it’s the best and easiest way to consume news and information that touches on your life’s interests. Just remember to stay narrowly focused on the things that make you happy. If you want to wade into the planet’s biggest virtual town square and discuss world events, do so gently and don’t take anything too personal.

6. With the immensely diverse yet focused globetrotting experience, which has been your favorite photography destination for wildlife, adventure, and cultural photography?

For wildlife, Tanzania’s Serengeti Plains. Serengeti National Park is Africa’s premier location for viewing and photographing the continent’s charismatic megafauna. Runner up for favorite? Antarctica. Or Yellowstone.

Adventure? Alaska. Despite at least a dozen trips I’ve made to different areas of the state, the more remote areas still intimidate me. The wilderness is so big and unforgiving. My runner up would be the Southern Andes of Patagonia.

For cultural photography, I’d go with India. Morocco is a close second.

7. With experience and expertise like yours, what is the top piece of advice you’d give an adventure photographer?

This would be useful for any photographer or artist, I believe. I used to teach a class on Photography and Creativity in a formal college classroom setting. On Day One, I would go around the classroom, from student to student, and ask them a question: aside from photography – which is merely a mode of communication and expression, if not creative expression – what was their first thought each morning and what was the last thought they had before falling asleep each night? I wanted to know their passions. I wanted to know what made each of them tick. 

I never explained why I asked the question until the very final class when I reminded them of their answers. I remembered them all. By then, they should have understood that their answers would provide a personal roadmap as to where they should focus their photographic efforts. If it was nature, then that’s where they should direct their creative energy. Children? The same. Cars, flowers, travel, pets, hiking? Go for it. Let those interests be your muses. In those passions, you have something important, special, and unique to share with the world, so use the skills you’ve learned with the camera to express them. You can’t inspire others with your photography if you – the actual owner of the experiences you’re trying to express – feel ambivalence. It’s nearly an impossible task. In order to inspire others, you, yourself, need to be inspired. Make that your job – to be inspired as much and as often as possible. Be receptive to inspiration so you have something unique and interesting about yourself to share with other people. In that vein, your photography will say much more about you, the photographer, than your subjects, which is the way it should be.

8. To sum it all up. What is photography for you? (What does it remind you of?)

I’ll use this opportunity to expand on my last answer. My job is to go out and be inspired: That’s it. The important thing here is the experience of being inspired. The experience, to me, is everything. I want to have as many apex experiences as possible where I am literally moved to tears by the overpowering beauty or the devastating sadness I see and feel. And it’s what I feel – not what I see – that’s important. That’s a strange thing, perhaps, for a photographer to say. The emotional content of a scene is the vital core around which I’ll build my image. Without it, it’s just a pretty picture. I want my viewers, who might be thousands of miles removed from the physical scene and experience, to feel what I am feeling, not necessarily what I am seeing. That is photography for me.

We are glad to have got the opportunity to interview such a superfluous creative, Richard Bernabe!