© Pierre Gonnord, Anibal 1, 2014. Courtesy of the Artist and Hasted Kraeutler, NYC.
Pierre Gonnord’s The Dream Goes Over Time, his latest exhibition at Hasted Kraeutler, takes its name from a line written by the poet Federico García Lorca. Much like Lorca, who was drawn to writing about people living outside a modernizing world, Gonnord photographs the people who live in the Alentejo region of Portugal, a region that has been outside modernizing influences for generations.
In respect for the culture he finds, the French photographer avoids exoticizing. The Old Master styled portraits are done only after an involved time spent traveling and living with those he intends to photograph. “Our loneliness is a beautiful thing to share,” he says. “The portrait is the story of an encounter before it is the process of creation.” The Dream Goes Over Time will be on view until April 25th at the Hasted Kraeutler art gallery in New York.
© Pierre Gonnord, Maximiliana, 2014. Courtesy of the Artist and Hasted Kraeutler, NYC.
I’d like to start with a quote that popped into my head while looking through your work. It’s from Roberto Bolaño’s short story Dentist:
“That’s what art is, he said, the story of a life in all its particularity. It’s the only thing that really is particular and personal. It’s the expression and, at the same time, the fabric of the particular. And what do you mean by the fabric of the particular? I asked, supposing he would answer: Art. I was also thinking, indulgently, that we were pretty drunk already and that it was time to go home. But my friend said: What I mean is the secret story . . . The secret story is the one we’ll never know, although we’re living it from day to day, thinking we’re alive, thinking we’ve got it all under control and the stuff we overlook doesn’t matter. But every damn thing matters! It’s just that we don’t realize. We tell ourselves that art runs on one track and life, our lives, on another, we don’t even realize that’s a lie.”
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